I’ve got a nice article from The Jakarta Post about “Street Snapper” in Alun-alun Bandung. I remember about 1980’s, so many street snappers in front of Mesjid Agung (Bandung’s Great Mosque) they offered Instant Photo with Alun-alun or Mesjid Agung as the background. Here is the Article:
Bandung’s ’street snappers return’
Friday, March 16, 2007
For about a month now, Maman, 52, has been relieved and back in business in Bandung’s town square, better known as alun-alun, after three years’ closure of the area.
Working as a street photographer since 1976, Maman relies on a manual camera, a Nikon FM2 with 20-80 mm lenses, to support his wife and five children.
“I’ve got no other skills. I’m not strong enough for manual labor and have no land for farming. Taking pictures has long been my ability,” said the resident of Jl. Mohamad Toha, Bandung, whose youngest child has just graduated high school.
Suryadi, who lives in the city’s Gegerkalong area, is also a street photographer. Using a manual Crown Quick 715, the 60-year-old carries out his routine with great confidence, offering his photographic services to visitors in the hub of the West Java capital.
“This place is just like our office. We work for a living, have lunch and take a rest here,” Suryadi said, laughing.
Suhendar, 57, another snapper, said around 30 street photographers offered their services in the same square. They have joined clubs such as the Bandung Tourism Amateur Photographers and the Priangan Amateur Photos Association.
The closure of the alun-alun by the city administration three years ago, according to Suryadi, deprived the “street snappers” of their main source of income. Consequently, many of them were forced to go to government offices, police and military stations, universities and also the municipal and provincial legislature, particularly when there were important events, to try their luck.
They could easily claim to be photojournalists in order to convince their customers.
“What most people know is that those carrying cameras are journalists. So we just say we are,” said Suryadi.
When the post-fasting, Idul Fitri Muslim holiday neared, these street snappers joined photojournalists and queued up for holiday allowances at certain institutions to survive.
The amateur photographers have to rely on manual cameras as they cannot afford to buy digital equipment. Based on mutual agreement, the street snappers fix their rate at Rp 7,500 per 6R-sized print. This means a 36-frame film sold at Rp 6,000 per frame plus a printing cost of Rp 1,500.
They earn less when, sometimes, customers want their prints to be sent by mail, which costs Rp 2,000 in postage plus an envelope.
“Well, it’s business, we’ve got to follow what buyers want,” Maman pointed out.
The fountain east of the square used to be the best photo background. Five meters in diameter, the fountain with four ducts gushing water into the air has now disappeared.
It is now replaced by a modern one gushing out over a 20-meter pool, surrounded by waterfalls streaming down from a concrete structure two meters high.
With a broader background area for visitors to pose, the street snappers now have greater freedom to choose locations around the new fountain.
Meanwhile, the renovated Grand Mosque, now expanding to the east with the alun-alun adjacent to its front yard, also offers a beautiful place for posing. In the early 2000s, the front of the mosque was separated from the square by Jl. Dewi Sartika.
With technological advancements, however, the present technology era has brought about major changes with the introduction of digital cameras and camera-equipped cell phones.
Both gadgets are putting street photographers at a disadvantage.
Puput Devia, 16, a Soreang high school student in Bandung, for instance, is unwilling to spend a lot of money on being photographed with her friends as they stroll along the square, which is some 20 kilometers from her house.
“A cell phone is enough to get our pictures and I can print them any time I like,” remarked Puput.
As a result, Maman and his peers are losing their customers.
While in the past they used one to two 36-frame film daily, today they must be satisfied with only a single roll a week.
Their struggle to sell even one film roll of photos is taking even longer this season, as Bandung has been in a downpour since the end of January.
“That’s how we strive to try our luck, otherwise we’ve got no job. What’s now important is to be able to make both ends meet, for which we should be grateful,” Maman concluded.